Europe Beyond Access

Breaking the glass ceiling of performing arts

Across the performing arts and across Europe, disabled artists are pushing the boundaries of form, and are presenting audiences, fellow artists and arts professionals with one of the creative opportunities of our time.

Europe Beyond Access has once again been funded by the Creative Europe programme of the European Union and will run for four years, from 2024 to 2027.

EBA Learning Journeys

For disabled artists, producers and promoters, funders and policymakers.

A series of digital toolkits and educational resources: films, discussions, podcasts, creative tasks, reports and more to support professional development!

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A Position Paper on the state of Arts & Disability in Europe

The European Arts & Disability Cluster, the European voice of artists and cultural workers with disabilities, publishes a Position Paper on the state of Arts & Disability in Europe

EBA Co-productions Open Call: The winners

December 3rd is the International Day of Persons with Disabilities. Perfect to announce the four projects selected from the open call for co-production.

EBA Open Call: the shortlist

Dodzi Dougban, Diana Niepce, Annie Hanauer, J Neve Harrington, Edwin Ramirez und Nina Mühlemann, Sindri Runudde, Katarzyna Żeglicka.  

Ludvig Daae: Attempting Alchemy

Date: March 1, 2025

A new dance performance by choreographer Ludvig Daae about the dream of creating magic out of the mundane, turning dust into gold. 

Mario Banushi: MAMI

PAST Two women are lying in the water, their bodies and heads touching. One is tall and wears a blue dress. The other has a smaller body and wears a white dress

Date: March 6, 2025

March 6, 7, 8, 2025 h 20.30, Onassis Stegi, Athens, Greece

George Koutlis: Oxygen

PAST

Date: December 20, 2024

December 20 – December 21, 2024 and January 2 – January 3, 2025 h20:30 (Sunday h14) Onassis Stegi Athens, Greece

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We use both the term “artist with disability” and “disabled artist”. We are aware that different countries and languages use different terminology. Even in English-speaking countries, terminology favoured by activists differs. We are also aware that different people define themselves in different ways, and that people self-define as they prefer. When we use the term “disabled” or “with disability” we include those who are Deaf, Neurodivergent and chronically ill. We know that some Deaf people prefer to define themselves as part of a marginalised language group, and not as disabled. Yet we also know that for other Deaf people allyship with others experiencing barriers within society (including in the cultural sector) is an important part of their identity. At its heart, Europe Beyond Access focuses attention on the artistic innovation that so often accompanies artists who have not been part of the mainstream cultural sector.